Museum art on heavyweight cotton.
Paintings from open-access museum collections, printed on Comfort Colors 1717 garment-dyed cotton, canvas totes and fine art posters. Where the museum record is available, each piece carries its holding institution and accession number, the same way the wall label does.
21 worksFree US shipping over $356.1 oz garment-dyed cottonPrinted to order in the USA
Shirts, $35, free shipping

Vincent van GoghRoses, 1890
One of the most serene still lifes van Gogh ever painted, made at Saint-Remy in May 1890, weeks before he left the asylum. The roses were originally pink; the red pigment has faded to white.
Vincent van GoghRoses, 1890Oil on canvas, 36 5/8 x 29 1/8 in. (93 x 74 cm)The Metropolitan Museum of ArtAccession 1993.400.5

Vincent van GoghOleanders, 1888
Painted in Arles in August 1888. Beside the vase sits a copy of Emile Zola's novel La Joie de vivre, a book van Gogh had used once before as a symbol.
Vincent van GoghOleanders, 1888Oil on canvas, 23 3/4 x 29 in. (60.3 x 73.7 cm)The Metropolitan Museum of ArtAccession 62.24

Auguste RenoirStill Life with Peaches, 1881
Painted in 1881, just after Renoir returned from Italy and Raphael. He set out to bring crisp drawing and solid volume back into a style that had dissolved into light.
Auguste RenoirStill Life with Peaches, 1881Oil on canvas, 21 x 25 1/2 in. (53.3 x 64.8 cm)The Metropolitan Museum of ArtAccession 61.101.12

Camille PissarroStill Life with Apples and Pitcher, 1872
A turn away from the open-air landscapes of Pissarro's early years, painted while he worked closely with Cezanne at Pontoise on the weight and geometry of ordinary things.
Camille PissarroStill Life with Apples and Pitcher, 1872Oil on canvas, 18 1/4 x 22 1/4 in. (46.4 x 56.5 cm)The Metropolitan Museum of ArtAccession 1983.166

Vincent van GoghIrises, 1890
Painted in May 1890 in his last weeks at the Saint-Paul-de-Mausole asylum. Confined to the grounds, van Gogh studied the violet irises along the walled garden paths.
Vincent van GoghIrises, 1890Oil on canvas, 29 x 36 1/4 in. (73.7 x 92.1 cm)The Metropolitan Museum of ArtAccession 58.187

Vincent van GoghWheat Field with Cypresses, 1889
Painted during his convalescence at Saint-Remy. Van Gogh thought the cypress a subject equal to his sunflowers, and wrote to Theo about their dark rhythm against the wheat.
Vincent van GoghWheat Field with Cypresses, 1889Oil on canvas, 28 13/16 x 36 3/4 in. (73.2 x 93.4 cm)The Metropolitan Museum of ArtAccession 1993.132

Vincent van GoghShoes, 1888
A study of worn working boots, and a subject van Gogh returned to more than once. He treated ordinary objects with the seriousness others reserved for portraits.
Vincent van GoghShoes, 1888Oil on canvas, 18 x 21 3/4 in. (45.7 x 55.2 cm)The Metropolitan Museum of ArtAccession 1992.374

Utagawa HiroshigeNarumi, from The Fifty-three Stations of the Tokaido Road, Early 20th century
Narumi was the fortieth station on the Tokaido highway and was known across Japan for arimatsu shibori, a resist-dyed indigo cloth. Hiroshige shows the shops hung with it.
Utagawa HiroshigeNarumi, from The Fifty-three Stations of the Tokaido Road, Early 20th centuryWoodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm)The Metropolitan Museum of ArtAccession JP3481

Utagawa HiroshigeHatsune Riding Ground, from One Hundred Famous Views of Edo, 1856 to 1858
From Hiroshige's late Edo series. Its steep cropping and flattened space startled European painters when the prints reached Paris a generation later.
Utagawa HiroshigeHatsune Riding Ground, from One Hundred Famous Views of Edo, 1856 to 1858Polychrome woodblock printed book; ink and color on paper, 14 1/2 x 10 x 1 1/4 in. (36.8 x 25.4 x 3.2 cm)The Metropolitan Museum of ArtAccession JIB51

Artist unrecordedPine, Bamboo, Grape, and Squirrel, 18th to 19th century
An East Asian hanging scroll in ink on paper. The Met's catalogue does not record the artist, which is common for work of this period.
Artist unrecordedPine, Bamboo, Grape, and Squirrel, 18th to 19th centuryHanging scroll; ink on paper, 41 x 11 5/16 in. (104.1 x 28.7 cm)The Metropolitan Museum of ArtAccession 2022.432.10
Canvas totes, $35, free shipping

Vincent van GoghWomen Picking Olives, 1889
Painted at Saint-Remy in 1889, printed on a heavyweight canvas tote.
Vincent van GoghWomen Picking Olives, 1889Oil on canvas, 28 5/8 x 36 in. (72.7 x 91.4 cm)The Metropolitan Museum of ArtAccession 1995.535

Vincent van GoghBouquet of Flowers in a Vase, 1890
A late flower piece, printed on a heavyweight canvas tote.
Vincent van GoghBouquet of Flowers in a Vase, 1890Oil on canvas, 25 5/8 x 21 1/4 in. (65.1 x 54 cm)The Metropolitan Museum of ArtAccession 1993.400.4

Vincent van GoghOlive Trees, 1889
One of the olive grove studies van Gogh made at Saint-Remy, printed on a heavyweight canvas tote.
Vincent van GoghOlive Trees, 1889Oil on canvas, 28 5/8 x 36 1/4 in. (72.7 x 92.1 cm)The Metropolitan Museum of ArtAccession 1998.325.1

Utagawa HiroshigeNarumi, from The Fifty-three Stations of the Tokaido Road, Early 20th century
Hiroshige's view of the shibori-dyeing town on the Tokaido highway, printed on a heavyweight canvas tote.
Utagawa HiroshigeNarumi, from The Fifty-three Stations of the Tokaido Road, Early 20th centuryWoodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm)The Metropolitan Museum of ArtAccession JP3481

Vincent van GoghPeasant Woman Cooking by a Fireplace, 1885
Van Gogh's Nuenen period, printed on a heavyweight canvas tote.
Vincent van GoghPeasant Woman Cooking by a Fireplace, 1885Oil on canvas, 17 3/8 x 15 in. (44.1 x 38.1 cm)The Metropolitan Museum of ArtAccession 1984.393
Fine art posters, $24

Auguste RenoirStill Life with Peaches, 1881
Archival print of Renoir's 1881 still life, made as he moved toward firmer drawing.
Auguste RenoirStill Life with Peaches, 1881Oil on canvas, 21 x 25 1/2 in. (53.3 x 64.8 cm)The Metropolitan Museum of ArtAccession 61.101.12

Vincent van GoghWheat Field with Cypresses, 1889
Archival print of the wheat field and cypress van Gogh painted at Saint-Remy.
Vincent van GoghWheat Field with Cypresses, 1889Oil on canvas, 28 13/16 x 36 3/4 in. (73.2 x 93.4 cm)The Metropolitan Museum of ArtAccession 1993.132

Vincent van GoghWomen Picking Olives, 1889
Archival print of van Gogh's olive harvest, painted at Saint-Remy in 1889.
Vincent van GoghWomen Picking Olives, 1889Oil on canvas, 28 5/8 x 36 in. (72.7 x 91.4 cm)The Metropolitan Museum of ArtAccession 1995.535

Vincent van GoghOlive Trees, 1889
Archival print of van Gogh's olive grove at Saint-Remy.
Vincent van GoghOlive Trees, 1889Oil on canvas, 28 5/8 x 36 1/4 in. (72.7 x 92.1 cm)The Metropolitan Museum of ArtAccession 1998.325.1

Utagawa HiroshigeNarumi, from The Fifty-three Stations of the Tokaido Road, Early 20th century
Archival print of Hiroshige's view of Narumi on the Tokaido highway.
Utagawa HiroshigeNarumi, from The Fifty-three Stations of the Tokaido Road, Early 20th centuryWoodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm)The Metropolitan Museum of ArtAccession JP3481

Edouard ManetThe Brioche, 1870
Archival print of Manet's small, plain, perfectly weighted still life of a brioche.
Edouard ManetThe Brioche, 1870Oil on canvas, 25 5/8 x 31 7/8 in. (65.1 x 81 cm)The Metropolitan Museum of ArtAccession 1991.287
About
Ultramarine prints artworks that museums have released into the public domain, drawn from The Metropolitan Museum of Art's open-access collection and reproduced from the museum's own master files.
The writing matters as much as the image. Where the museum record is available, each piece is documented with its artist, title, date, medium, original dimensions, holding institution and accession number, so you can look up the work you are wearing and read what the museum says about it.
Shirts are Comfort Colors 1717, garment-dyed heavyweight cotton at 6.1 oz. Everything is printed to order in the United States.
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